Workshop Listings
Workshop in Venice jointly taught by Ewan Clayton and Monica Dengo
The Correr Museum Library, part of the Fondazione Musei Civici di Venezia, presents its tenth International workshop 'Nomads of the white space: taking the view point of handwriting', 11-12-13 October 2019, 10.30 am to 5.30 pm.
The workshop will be held at the Correr Museum on St Mark's Square and offers the possibility of viewing and studying historical manuscripts from the collection of the museum's library. The workshop will be held in the Italian and English language.
For more information, cost, description and registration click here
Brighton workshop listings 2019: click here.
While I write a new book I am teaching less, so I have opened my studio to a series of guest instructors including Christopher Haanes, Luca Barcelona, Giovanni de Faccio and Carl Rohrs. All of them are focussing in different ways on calligraphic foundations.
In addition my apprentice and assistant Megan Maksimovich will be running a series of introductory and taster sessions for those who want to begin calligraphy.
Training in-depth:
Long Course with Ewan Clayton in 2020
Calligraphic fundamentals in depth, 3 month course. January to March 2020.
12 weeks, 2 days a week (Mondays and Tuesdays). January 13 - March 31. Cost: £1400
Foundations of calligraphy, roman-upper and lower-case letterforms, italic, introduction to materials and tools, project assignments. Taught by Ewan to the depth that it used be at Roehampton. Students are expected to complete up to two days home-work during the week. Limited to 7 places. The course is suitable for beginners as well as those with considerable experience. The benefit of a course such as this comes from having a concentrated period of time devoted to growing one's calligraphic skills, the sustained programme of learning helps it bed down in your motor system and grow your imagination, skill and confidence. There are also a limited number of places for advanced students who may want to audit the course whilst working on their own projects.
The syllabus covered:
1. Roman Capitals, the historical background, an introduction to 'essential forms', geometric construction, pencil and monoline studies, spacing
2. Working with a pen and using lightweight roman capitals, monoline capitals in a text and simple designs
3. introducing weighting to capital letters, serifs, spacing again. Working with contrasting weights.
4. Continuation and completion of capital letter projects. Ink.
5. Introduction to Edward Johnston’s teaching of related form, geometric study of lower case roman forms, the principles of related form as seen in his 'foundationa'l hand studies. The historical development of lower-case forms
6. Analysing a historical manuscript, large weighted roman lower-case forms, the relationship between calligraphy and type design. Paper and how to handle it.
7. Upper and lower-case romans in combination, smaller scale writing, and introduction to the quill pen
8. On manuscript books, planning and making a small book. Introduction to vellum.
9. Continued work on books. An introduction to formal italic writing, its development and history
10. Flow and ease in writing, revision of Roman and compressed capitals.
11. Italic capitals, flourishing
12. Project completion. Review and planning individual future learning.
Travel and accommodation details on the contact page.
Workshop in Venice jointly taught by Ewan Clayton and Monica Dengo
The Correr Museum Library, part of the Fondazione Musei Civici di Venezia, presents its tenth International workshop 'Nomads of the white space: taking the view point of handwriting', 11-12-13 October 2019, 10.30 am to 5.30 pm.
The workshop will be held at the Correr Museum on St Mark's Square and offers the possibility of viewing and studying historical manuscripts from the collection of the museum's library. The workshop will be held in the Italian and English language.
For more information, cost, description and registration click here
Brighton workshop listings 2019: click here.
While I write a new book I am teaching less, so I have opened my studio to a series of guest instructors including Christopher Haanes, Luca Barcelona, Giovanni de Faccio and Carl Rohrs. All of them are focussing in different ways on calligraphic foundations.
In addition my apprentice and assistant Megan Maksimovich will be running a series of introductory and taster sessions for those who want to begin calligraphy.
Training in-depth:
Long Course with Ewan Clayton in 2020
Calligraphic fundamentals in depth, 3 month course. January to March 2020.
12 weeks, 2 days a week (Mondays and Tuesdays). January 13 - March 31. Cost: £1400
Foundations of calligraphy, roman-upper and lower-case letterforms, italic, introduction to materials and tools, project assignments. Taught by Ewan to the depth that it used be at Roehampton. Students are expected to complete up to two days home-work during the week. Limited to 7 places. The course is suitable for beginners as well as those with considerable experience. The benefit of a course such as this comes from having a concentrated period of time devoted to growing one's calligraphic skills, the sustained programme of learning helps it bed down in your motor system and grow your imagination, skill and confidence. There are also a limited number of places for advanced students who may want to audit the course whilst working on their own projects.
The syllabus covered:
1. Roman Capitals, the historical background, an introduction to 'essential forms', geometric construction, pencil and monoline studies, spacing
2. Working with a pen and using lightweight roman capitals, monoline capitals in a text and simple designs
3. introducing weighting to capital letters, serifs, spacing again. Working with contrasting weights.
4. Continuation and completion of capital letter projects. Ink.
5. Introduction to Edward Johnston’s teaching of related form, geometric study of lower case roman forms, the principles of related form as seen in his 'foundationa'l hand studies. The historical development of lower-case forms
6. Analysing a historical manuscript, large weighted roman lower-case forms, the relationship between calligraphy and type design. Paper and how to handle it.
7. Upper and lower-case romans in combination, smaller scale writing, and introduction to the quill pen
8. On manuscript books, planning and making a small book. Introduction to vellum.
9. Continued work on books. An introduction to formal italic writing, its development and history
10. Flow and ease in writing, revision of Roman and compressed capitals.
11. Italic capitals, flourishing
12. Project completion. Review and planning individual future learning.
Travel and accommodation details on the contact page.
